Tag: #Writing

  • Character Soundtracks

    If you’ve been a diligent follower, you might remember I mentioned I create playlists for each of my characters to help get their vibe. Sooo, I thought I’d share them in a series of posts. Give ya’ll some variety.

    A little note: Song meanings are subject to my own interpretation . . . not necessarily what the song is actually about. Some songs are songs I think the character would listen to for enjoyment. Some songs are songs the character might relate to. Some songs align with the character’s conflicts. There’s not really a specific formula for this stuff. It’s just vibes.

    Lots of music. Be warned. We’ll start the series with Leander’s Soundtrack.


    Leander’s soundtrack

    Leander’s soundtrack is very, very moody (to say the least). Most tracks are slow and a bit dreamy. He has a very unstable state of mind — and think his soundtrack captures the spectrum of that instability.

    The Gaping Mouth | Lowertown
    Being stupid and being fifteen
    Or being older, thinking I know who I am and what I want
    Creating pointless fantasy
    The simple mania of no responsibility
    Either way, I stay the same, I never change
    Old habits die too hard
    So I hold onto them for the rest of my life
    Sandbags I keep tied to my ankles
    Weighing me down
    But comforting at the same time

    This particular part of the song really speaks to Leander’s situation at the beginning of the novel. Leander became attached to his trauma and his curse. It became an inseparable part of him, and because of it, he cannot move forward. He is aware of it; he knows a change needs to happen, but is paralyzed by the comfort pain brings him.

    How to Disappear Completely | Radiohead
    That there, that's not me
    I go where I please
    I walk through walls, I float down the Liffey
    I'm not here, this isn't happening

    This song perfectly captures the dissociation Leander experiences throughout the novel as misfortune befalls him. As the story progresses, he loses his sense of self and becomes more desperate to escape his own mind.

    Her Sinking Sun | Coma Cinema
    Flowers of skin and bone
    We're all alone
    Waiting to die
    Take me from this evil place
    In your twisting arms
    Not meant to be
    Water rushed through my heart
    It's torn apart
    By your trusting eyes
    Sickening bodies tied
    To easy lies
    Not meant to be

    I found a Pitchfork article that perfectly describes this song. It’s incredibly well-written and I don’t think I could even begin to convey it better. Click the writer’s name to read the rest!

     Its a sticky, sickly sweet hymn that’s over before you can properly absorb every nuance. What is apparent is that it seems to be as much about the act of losing something as it is about the reluctant acceptance of an inevitable demise. “Torn away from everyone, just sinking sun, I watch it die,” he warbles fatalistically, sounding as if he himself were wasting away as well. And almost on cue, the zip of that hungry fly leaves us with a skin-crawling reminder that time’s just about up.

    Zach Kelly

    No Machine | Adrianne Lenker
    Let no machine eat away our dream
    Baby, take my hand, let's go together
    No suprise, the wound lives in your eyes
    A needle shining like a diamond in the desert
    I don't know what I'd do, don't know what I'd do
    Without you
    Don't know where I'd go, don't know where I'd go
    Without you

    Adrianne Lenker (the singer/songwriter) has such beautiful, sincere, poetic lyricism. I’m not gonna lie — not the best at poetry. I don’t really know what any of their songs mean, but they are quite pretty.

    Leander isn’t always whining, don’t worry. He’s quite the romantic. Though, the readers don’t really get to see that side of him in the first novel. This song is a little out of place amongst the others, but it definitely fits a later narrative!

  • Creating Freja Leonard

    Freja’s personality is challenging to capture. She comes across as stoic and fierce, but she has an endearing, sentimental side she represses. Many forces influence Freja’s character. Her ups and downs are more severe than others.


    Here’s a super official description of Freja’s overall personality:

    Freja Leonard is a reserved and enigmatic figure in The Diviner’s Son. She is childhood friends with Cullum Soleil, who harbors deep feelings for her. Aware of his affections, she maintains a strict emotional distance. She never explicitly rejects him but never encourages his affection. She is aware of the weight of her choices and the consequences they carry, particularly in a world where such bonds dictate survival.

    Freja is shaped by an unforgiving past. Her backstory is slow to show itself in the story, because she is not one to share her trauma, or even her true thoughts, with others. Her motivations are unclear to those around her.

    Despite her outward detachment, she carries a deep understanding of the people around her, especially Cullum. Her choices are deliberate, and she does not bend easily to sentiment or obligation.


    The best description of her from the current draft of the novel is as follows:

    Freja Leonard was the tallest young lady he’d ever seen, though he hadn’t seen many . . . Her skin was roasted gold, a few shades deeper and darker than the doors that lined the palace hallways. Her hair was as dark as slate and shadows. The sweet pitch of her voice didn’t suit the ferocity of her expression.

    From the perspective of Leander Veille

    Freja’s design is one of the few that hasn’t changed much. Good for her!


    This is the most accurate illustration of Freja.


    This illustration best captures Freja’s essence.


    This is the very first sketch of Freja!


    And my favorite.


    “I yearn for the privilege . . .” She sighed under her breath. Her robes floated out the door. Her lips were glossed with bitterness, “ . . . of needing nothing from anyone. 

    Mystified, his gaze followed her out the door, slipping down the skirts of her robes, fixing on her ankles, until he couldn’t catch more of her.

    Howdy, father. I posted for you. See you next time.

  • Creating Ena Sage

    Ena Sage has a small role in the first novel, but she ends up being an integral part of the cast, along with her older sister, Anise.


    Here’s a super official description of Ena’s overall personality:

    Ena is of sharp wit, restless energy, and unrelenting boldness. 

    Her demeanor is lively, her words quick and sporadic, filled with wry humor and youthful bravado. Behind her playful insouciance lies a girl keenly aware of the uncertain future awaiting her. She speaks often of marriage, not out of romantic yearning, but out of necessity. She knows the fate that awaits unmarried women in her village.

    There is a fierce intelligence in Ena, though it is masked by her youthful exuberance. She is perceptive, able to read between the lines of conversation, and maneuver social situations with surprising dexterity.


    The best descriptions of her from the current draft of the novel are as follows:

    Ena was well-spoken but had a quick, sporadic cadence. She made steady eye contact and smiled often, even when her words weren’t suited for one.

    From the perspective of Leander Veille

    She looked a lot like a quill, with a slender build, dark inky hair that reminded him of Freja’s, and a complexion identical to a sheet of papyrus.

    From the perspective of Cullum Soleil

    Ena’s personality used to be more serious, but she has been rewritten to be much more playfully witty. Her current personality is very similar to Leander’s personality before his sister’s death. Leander even notices this and forms a quick fondness for her.

    I end up drawing Ena only every once in a while. Her character goes through many changes throughout that time. I don’t really think Ena’s true appearance is captured by the current illustrations. Hopefully, as she becomes a larger part of the story, her image comes together. Here are the facts, based on how the other characters describe her.

    Shiny, dark hair.

    Slender build.

    Pale skin.

    Pointy, bird-like features.

    Recently, I have liked depicting her with a short, boyish cut.


    This is the most accurate illustration of Ena.


    This is illustration best capture Ena’s “vibe”


    This is the very first sketch of Ena!


    And my favorite.


    Rain chirred.
    The princess exhaled quivering, rattling breaths.
    The prince tilted her head into him, stroking her mousy head.

    He whispered.

    “ — the dragon falls from the sky, finally defeated. His body erupts in furious flames. He descends upon Dinas Emrys like a fallen star. The city is scorned. Its king watches from a distant hilltop, discontented. He shrugs his shoulders and tells his men, ‘Alas, there was much gold in Dinas Emrys.’”

    A draft dashed through the room.
    Stiff and shivering, the child awakened.


    See you next time.

  • Creating Cullum Soleil

    Despite being a pretty prominent character throughout the first half of the story, Cullum doesn’t have many illustrations. Not that I don’t love his character! He happens to be a bit tricky for me to draw.


    Here’s a super official description of Cullum’s overall personality:

    Cullum Soleil is bound by duty, loyalty, and an unshakable sense of honor. He is tall and broad-shouldered, built like a man who has spent his life wielding a sword, with sharp, sun-kissed features that mirror the name he bears. His dark eyes are observant yet weary, reflecting the weight of unspoken burdens.

    Once a street orphan, Cullum owes his life to the late queen, who saw potential in him and gave him the chance to serve. This debt fuels his unwavering allegiance to the crown, though it also leaves him conflicted — especially when it comes to Leander, the boy he was meant to protect but now struggles to understand. Their bond is laced with tension, shaped by Cullum’s belief in duty and Leander’s resistance to it. Though he cares for Leander deeply, he fears growing too close, knowing that his loyalty to the king may one day demand his betrayal.

    Cullum carries a quiet, restrained love for Freja, his childhood friend and the woman he believes is bond to him. Despite his devotion, she keeps him at a distance, never giving him hope yet never severing the thread between them. He aches for something she will not give, and though he tries to convince himself that their fate is already written, doubt lingers in the shadows of his mind.

    Cullum is defined by his unyielding sense of right and wrong, but in a world where loyalties shift and truths unravel, he may find that honor is not so simple—and neither is love.


    The best description of him from the current draft of the novel is as follows:

    Cullum had stretched like taffy. His legs were longer, his arms were longer, and even his hair was longer. The fullness of his cheeks was carved away by time and too much training. His blue eyes were the only constant. The pearly blue shimmered at Leander, as if he saved his life. Grown out, his once white-blonde hair turned brassy. Just the ends of the strands were still light. Besides his nose, which was red and freckled, his face was warmly tanned.

    From perspective of Leander Veille

    I may be very indecisive, but Cullum’s design is mostly down. (The scars man, idk. They are all injured so much.) His appearance drastically changes at some point. He chops off his longer hair and gains a gnarly scar across his right eye. The wound was so bad, he ends up losing his right eye entirely. He loses a bit of weight, giving him a leaner build. Most depictions of Cullum are before the events that caused these changes. Here’s the important stuff:

    Sandy, brassy hair

    Very blue eyes

    Freckles

    Muscular


    There are the most canon sketches of Cullum.


    There is one sketch that really captures Cullum’s essence.


    My first sketch of Cullum!


    And finally, my favorites. Yippee!


    He was a knight, and it was his duty to follow the king’s orders, but he didn’t respect the king. He loved Freja and dreamed of her happiness, but she didn’t want happiness. The queen took him from the streets, a kindness that should be repaid, but she never asked anything from him. And there was Leander, who was stuck in a frenzy of what others wanted, just as he was. With so much weighing on his mind, he could’ve taken a wrong turn, but the steps lay ahead of them. Cullum feared there were no wrong turns. He feared no matter which turns he took, they’d lead him to these steps. 

    Chapter 12


    Short aside, Leander sees Cullum as a soldier who’s been hardened by the battlefield. In reality, he has never killed a man. Further, Cullum finds true shame in his past on the streets.

    He knew the alleys as well as a street rat, a bittersweet fact. He’d never wash off the stench of Rafflesia district. Regardless of what uniform he put on or who he stood beside, he’d be an orphan with alleys instead of veins. 

    Chapter 13

    Cullum is painfully aware of how much he owes to the royal family. If it weren’t for the queen’s mercy, he may have been one of the many orphans left to die on the streets. He is bound by this perceived need to repay. He spent so long serving the needs of others that he has an extremely hard time figuring out what he wants for himself. Freja is essentially the only thing he’s ever known he wanted, yet he cannot have her.


    Thanks for reaching the end. As a bonus, here’s a little sketch of Cullum as a kid.

    Stay tuned for more! Coming soooon!!

  • An Introduction

    An Introduction

    Untitled Artwork by Ella Orlando

    Hi there! You found my first blog post.

    Fair warning to those that know me or know of me, this is a place to “geek out” about fantasy, writing, art, and The Diviner’s Son. Passion makes us all a little bit embarrassing.

    For the past several years, I’ve been writing a fantasy novel called The Diviner’s Son. I started this passion project in high school, and four years later, I am nearly done with college. I graduate May 2025 with a degree in Marketing: Advertising and Promotion from Missouri State University. While I adore marketing, this blog isn’t centered around the topic. But I encourage you to check out my Intergrated Marketing Communications portfolio!

    Progress for The Diviner’s Son has not been linear; in fact, I encountered countless plateaus.

    Unsurprisingly, as I write create this very first blog post, I am on a seemingly endless plateau. Mental health is quite the serial killer of passion, motivation, and fun. There are millions of file folder graveyards full of its victims. The Diviner’s Son is not dead. It’s bobbing in and out of consciousness in a dreary hospital room. While I am reluctant to visit, I’m happy to send copious “get well” gifts.

    What does that mean for my passion project? Passion is typically considered an organic, from-the-heart feeling. But I think you can manufacture passion with stubbornness and persistence. There isn’t a single day that I don’t think about my story. I fall asleep every night rehashing the plot or fantasizing a never-to-be-written off shoot of the story. I force the story into every other activity I enjoy.

    So, this blog is another attempt at manufacturing passion (or conjuring passion, depending on your point of view). A culmination of metaphorical “get well” gifts.

    Enough chit-chat. If you’re interested in learning more about all things The Diviner’s Son, please subscribe!